Haute Couture FW24: The Bridgerton Effect

Based on the romance novels by Julia Quinn, Shondaland’s ‘Bridgerton’ is one of the most successful Netflix series of all time. Its unique blend of racial harmony, passionate romance and palace intrigue, not to mention the regal clothes and characters all designed in a contemporary way, has kept viewers in raptures for three seasons.

Bridgerton Credits: Bridgerton: Courtesy/ Tudum by Netflix

The series is set in the period 1810-1820. The British King George III was deemed mentally unfit to rule and his son, the Prince Regent, took over the reins. This period is also called the Regency period.

Bridgerton
Bridgerton Credits: Bridgerton: Courtesy/ Tudum by Netflix

Despite the fact that France and England were at war, Empress Josephine Bonaparte (played by Louis Hippolite Leroy) had a huge impact on the English upper classes. The stiff dresses and towering wigs of the previous Rococo period were replaced by high-waisted ’empire’ dresses and natural hairstyles. This was because it was considered of the utmost importance to be a graceful dancer at the many society balls given during ‘the season’. The fluidity and ease of movement that these dresses provided was a welcome change.

During the recent Haute Couture FW24 Week, designers, either design-wise or subconsciously, took influence from the TV series Bridgerton and the Regency period in general.

Julien Fournié HC FW24/ Look 7
Julien Fournié HC FW24/ Look 7 Credits: Julien Fournié HC FW24/©Launchmetrics/spotlight

In the TV series, Queen Charlotte dresses in the style of Marie Antoinette. It is said to reflect the earlier, happier years of her marriage. Julien Fournié pays tribute to the French queen in his collection, as the “first initiator of haute couture”.

Franck Sorbier HC FW24/ Look I
Franck Sorbier HC FW24/ Look I Credits: Franck Sorbier HC FW24/©Launchmetrics/spotlight

In his show, Franck Sorbier has some of his models arrive on Bridgerton’s favorite means of transport: the horse.

Dressed to Impress

Haute Couture designers showed a wide range of dresses that would not look out of place on today’s version of Lady Danbury’s ball: the red carpet.

Imane Ayissi

Imane Ayissi HC FW24/ Look 19
Imane Ayissi HC FW24/ Look 19 Credits: Imane Ayissi HC FW24/©Launchmetrics/spotlight

Look 19: A sleeveless dress in white duchess satin with an empire waist. The skirt is hemmed with a floral and bee print. Wrapped around: an oversized lilac sash wrapped around it. Opera length pink gloves complete the look.

Dior: designer, Maria Grazia Chiuri

Dior HC FW24/Look 53
Dior HC FW24/Look 53 Credits: Dior HC FW24/©Launchmetrics/spotlight

Look 53: A dress with gold sequins, a draped neckline and cap sleeves.

Elie Saab

Credits: Elie Saab HC FW24/©Launchmetrics/spotlight
Credits: Elie Saab HC FW24/©Launchmetrics/spotlight

Look 43: A tulle dress with a round neck, tiered sleeves, scalloped shoulders and intricate beading.

Franck Sorbier

Franck Sorbier HC FW24/ Look 8
Franck Sorbier HC FW24/ Look 8 Credits: Franck Sorbier HC FW24/©Launchmetrics/spotlight

Look 8: A strapless pastel chiffon dress with an empire waist and rose embellishment, with gold Mary Jane shoes.

What are they wearing underneath?

Under their clothes, Georgian women wear a combination of corsets, bodystockings, trousers and thigh-high stockings held up with garters.

Chanel

Chanel HC FW24/ Look 38
Chanel HC FW24/ Look 38 Credits: Chanel HC FW24/©Launchmetrics/spotlight

Look 38: A pink satin jumpsuit with a sheer neck and sleeves and trousers with pleated edges and sequin embellishments.

Chanel HC FW24/ Look 37
Chanel HC FW24/ Look 37 Credits: Chanel HC FW24/©Launchmetrics/spotlight

Look 37: A pink corset with a pleated chemise insert and cream leggings under a cream satin cape with a pleated edge.

Schiaparelli: Designer, Daniel Roseberry

Schiaparelli FW24/ Look 23
Schiaparelli FW24/ Look 23 Credits: Schiaparelli FW24/©Launchmetrics/spotlight

Look 23: A strapless body with a boned corset and thigh-high stockings under a sheer layer of sequins.

Capes are timeless

Capes were a popular way to cover up in Regency England, but also during Haute Couture FW24.

Giambattista Valli

Giambattista Valli HC FW24/ Look 17
Giambattista Valli HC FW24/ Look 17 Credits: Valli HC FW24/©Launchmetrics/spotlight

Look 17: An elegant cape with a floral print and a matching dress with pleats under the bust and rose embellishments.

Giambattista Valli HC FW24/ Look 29
Giambattista Valli HC FW24/ Look 29 Credits: Valli HC FW24/©Launchmetrics/spotlight

Look 29: A green chiffon cape with a hood that covers the face. To complete the look: a high-waisted dress with an embellished chest panel.

Yulia Yanina

Yulia Yanina HC FW25/ Look 20
Yulia Yanina HC FW25/ Look 20 Credits: Yanina HC FW25/©Launchmetrics/spotlight

Look 20: A chiffon hooded cape and matching dress in a vibrant floral print.

Layered effects

Several international designers take part in the Oriental Fashion Show at the Shangri-La Hotel, showcasing the richly decorated gowns that Regency ladies wore on cooler evenings.

Amina Benzekri

Amina Benzek HC FW24/ Look 5
Amina Benzek HC FW24/ Look 5 Credits: Amina Benzek HC FW24/©Launchmetrics/spotlight

Look 5: A sleek, gold evening coat with turquoise embroidery and a belt over a turquoise silk layer.

Fashion house

HC FW25 Fashion House/ Look 1
HC FW25 Fashion House/ Look 1 Credits: Maison de Couture HC FW25/©Launchmetrics/spotlight

Look 1: An evening gown with intricate beadwork and embroidery in pastel colours, a high-waisted belt and a green lining over a lilac silk dress.

Regalia

Regalia HC FW24/ Look 1
Regalia HC FW24/ Look 1 Credits: Regalia HC FW24/©Launchmetrics/spotlight

Look 1: An evening coat with lots of embroidery in pastel colours over a glittering multi-button layer and a high-waisted belt.

This article was previously published on FashionUnited UK. Translation and editing by Susan Zijp.


Source: fashionunited.nl